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Karl Briullov
Rider.Double Portrait of Giovanina and Amazilia Pacini
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ID: 39534
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Karl Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts. Related Paintings of Karl Briullov :. | Vaulter | Portrait of Mariya Arkadyevna Bek with her Daughter | Portrait of Count carlo pozzo di borgo | Portrait of Michelangelo Lanci | Briullov Italian Midday | Related Artists: llya Yefimovich Repin1844-1930 Frank Russell Green1859-1940 Carel Jacobus Behr (9 July 1812 in The Hague - 11 November 1895) was a Dutch painter, watercolorist and draftsman. He was a pupil of Bartholomeus Johannes van Hove and mainly painted cityscapes, genre scenes and portraits.
In 1836 he produced, commissioned by The Hague municipal government, an image of the town hall there, which carried off the approval of connoisseurs. In 1837 he became a member of the Royal Academy in Amsterdam. His work is found in various collections and different exhibitions, like at the Hague in 1839, Rotterdam in 1840 and again at the Hague in 1841.
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